![]() "It was a just a surreal experience of working with and saying, 'This is your IP. "Can we fix the giant's AI and have trees splinter when he runs through the forest? Yes, we can do that. "Can we have a horde mode? Yes we can do that. "Can we destroy buildings? Yes, we can do that. "Can we have villagers? Yes, we can do that. "Can we add new quests? Yes, we can do that. "The biggest difference that I have now with my new team versus Human Head is that whenever we come up with an idea or a question the answer is, 'Yes we can do that.' "Our obligation is to deliver a fun product for the fans that people enjoy and say they got their money's worth and had fun," he says. Studio 369's vision for Rune 2 is different from Human Head's And while there are obviously some hard feelings - not to mention ongoing legal battles - about the way things have played out, we ask Candler if he feels any obligation to stay faithful to what the original creators had in mind. After all, Human Head was the creator of the franchise, and the original developer of Rune 2. Only one of the developers has previous experience at Human Head.Ĭandler's list of changes Studio 369 is making to the game brings up the issue of vision. They now have 14 people at Studio 369, and plan to double that number by the end of the year. ![]() The decision was made in early March, and the company officially founded on March 31. Let's form a team, take over development, and this team will be the face on the game so the fans and community can understand who's actually doing the work." "We took out a lot of the survival elements like hunger and freezing that were just annoying."īefore long they had almost a dozen people working on the project.Īs Candler explains, "We did so much work in January, February, and March that I said, 'We're kicking ass guys, I think we should just form a company. We basically wanted to fix all the game systems where we said, 'This is not fun,'" Candler says. "Then we started digging in and said, 'Well what do we want to fix?' We wanted to fix combat, AI, how enemies spawn, the loot system. "We did so much work in January, February, and March that I said, 'We're kicking ass guys, I think we should just form a company'" He enlisted developers he'd had previous experience working with - including Studio 369 CTO Dan Nikolaides - to help reconstruct a build they could work off of, and they quickly put together a quality-of-life patch for the game. But Candler says Ragnarok still didn't have a full version history of the project and "was missing some crucial build configurations that had to be re-engineered." In January, Ragnarok revealed it had received a hard drive with Rune 2 source code and assets on it. Speaking with last week, Ragnarok manager and Rune 2 executive producer Matt Candler says solving one of those problems led naturally to solving the other. That left Ragnarok with a game in need of patching and continued support and two big problems: no studio to work on it, and no source code to work from. The next day, much to the surprise of Ragnarok, Human Head announced it would be shutting down, with the staff re-forming as the Bethesda-owned Roundhouse Studios. Rune 2 launched on the Epic Games Store November 12. Rune II is filled with the same undead draugr that populate the world of the PS4 award-winner, its world also traversed by boat and conquered with an axe (or hammer or sword). It's difficult not to compare the two games, and because of that, Rune II suffers.In the wake of the unexpected dissolution of original Rune 2 developer Human Head, publisher Ragnarok Games LLC has created a new studio specifically to take over work on the action RPG. Like the recent God of War, its setting is the Ragnarok, an apocalyptic event in the world of Midgar. Rune II proves that some games - and their gods - are better left dead.Ī long-awaited sequel to the 2000 PC game, Rune, the RPG-lite hack'n'slash is set in the fascinating and rich world of Norse mythology. And though a game (or in this case, franchise) may seem to be long gone, gestated and left to obscurity, it can always be brought back. While Loki may die to a swing from Mjolnir, he can be born again a teenager, for someone with that level of power never truly perishes. ![]() Games and gods of Norse mythology have a commonality: both are often resurrected. Rune II is a slog of a hack'n'slash-RPG with repetitive combat and mechanics, dated graphics, and an overall lack of polish.
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Students should visit their college website’s technology pages or contact their college Help Desk to confirm participation and login credentials for the Microsoft Office 365 for Education program. ![]() The Microsoft Office 365 for Education cloud applications and services vary by college but always include Outlook, online Microsoft Office and the downloadable Microsoft Office 365 ProPlus suite of Microsoft Office applications. ![]() The City University of New York provides Microsoft Office 365 for Education to students at participating colleges via the Microsoft Office in Education program. Their texts are literature, not literary fun-house rides where you chase Moby-Dick! You make love to Madame Bovary! You get buried alive in the House of Usher!Įastgate was determined to avoid the comparison. The writers assiduously avoid you-are-there fantasy adventures. There is no scoring, no winner or loser, no right or wrong path to take. One thing hyperfictions are not is games. One hypertext article from 1994 took pains to note : Despite the ambitions of companies like Infocom to be taken seriously by more mainstream media, text games (and indeed, games in general) had won little respect to date from cultural critics. The company “advertised itself as the publisher of ‘serious’ hypertext fiction-perhaps in an attempt to differentiate itself from ’text adventure‘ publishing enterprises or the emerging market of games,” according to scholar Scott Rettberg. Eastgate’s aspirations were to become a publishing house for interactive literature, with the same standards and respectability as any traditional book publisher: by the mid-1990s their catalog listed over a dozen hypertext titles. By 1990 Storyspace had become a commercial product, released by a tiny company known as Eastgate Systems. It had been created by a group of hypertext authors and theorists in 1987, years before the rise of the web with its HyperText Markup Language (HTML). The software Jackson used to do her writing was called Storyspace. I felt like I was standing on the coast of a new world.” The potential of this new medium seemed limitless: “I saw from the very first that an infinite number of new possibilities for literature were opening up before us. “I’ve always had a very spatial understanding of text,” she later recalled, and for the idea she’d begun to develop, it felt right to conceive of story as discrete pieces that could be dragged around, connected, and deliberately positioned. Several students and faculty had begun exploring the possibilities of nonlinear hypertext writing, and while Jackson “didn’t have a particularly strong techie bent,” when a graduate course in 1993 or 1994 assigned a final project of creating a hypertext story, she began work on the piece that would evolve into Patchwork Girl. After finishing an art degree at nearby Stanford, she moved across the country for an MFA in creative writing at Brown, which had developed a reputation for an interest in experimental literature. Jackson grew up in Berkeley, California, and worked as a teen at her family’s bookstore. Jackson’s work posits that she was brought back in secret, reborn “under the needle, and under the pen”: sewn back together, but also given life through the electricity of words on screens and flickering digital currents. In the original the female monster is destroyed by her creator in a fit of despair before she can be given life. Patchwork Girl or, A Modern Monster riffed on Mary Shelley’s Frankenstein or, The Modern Prometheus, remixing text from the original and other sources alongside a new story about the female counterpart made by Dr. The writer was there to reflect on a work that in the short time since its release had become one of the most celebrated examples of a new kind of literature: the hypertext novel. No, I am the monster herself, and it is Shelley Jackson who is imaginary. I expect there are some of you who still think I am Shelley Jackson, author of a hypertext about an imaginary monster, the patchwork girl Mary Shelley made after her first-born ran amok. May I say that I find this an extraordinary impertinence, and that if she would like to come forward, we shall soon see who is the author of whom. It seems you have even invited her to speak tonight, under the misapprehension that she exists, that she is something besides a parasite. It has come to my attention that a young woman claiming to be the author of my being has been making appearances under the name of Shelley Jackson. Her speaker bio noted that “she specializes in lies and digressions.” The talk was entitled “ Stitch Bitch ,” and began like this: ![]() In her author photo she wore a sleeveless vest, a dense cluster of ear piercings, and an ampersand, tattooed on her upper arm. The talks had begun just after lunch, and now it was coming up on nine o’clock as the final speaker took the stage: a woman in her mid-twenties. On the MIT campus in October 1997, an interdisciplinary symposium called “Transformations of the Book” was taking place, bringing together “classicists, Shakespearean scholars, technological wizards and lovers of all media” to explore how printed books were being challenged and changed by the digital age. If you want to see the whole, you will have to sew me together yourself. ![]() You can resurrect me, but only piecemeal. Released: October 1995 (Eastgate Systems) By Shelley Jackson (as MARY/SHELLEY, & HERSELF) Aw, c'mon! I was just playing a video game back there!.I hope you haven't summoned me just to jump-start a car. ![]() Hey-I was in bed! Aw, man, and I slept in my clothes again!.Did someone call for a master of Ninjitsu? I think they did.Cole at your service! Just tell me what to hit.Whadderya need? Because if it's "someone to hit things" then I have good news!.You can all stop panicking-I'm here now!. ![]() I must've accidentally drank Traveller's Tea! Below are some known quotes and their triggers. Throughout the game, characters will talk when being interacted with or when in range of a trigger (another character, being reborn, collecting items, etc.).
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